What are you listening to right now?

It was very competitive (yep, I lost and went on to other stuff.)

LA had the "Wrecking Crew," Detroit had the "Funk Brothers," Philly had it's monsters, Chicago legacy stuff is unparalled and so many more unsung music heroes.



Chicago - Kathy always asked why I went down Michigan Ave. "Oh, I get it." Yep, we still drive by and pay homage.



http://www.youtube.com/watch?v=LiydOyjFkPM



FYI. Ian Stewart ( http://en.wikipedia.org/wiki/Ian_Stewart_(musician) ) on organ.
 
"
Take me down, 6 underground,
The ground beneath your feet,
Laid out low, nothing to go
Nowhere a way to meet
I've got a head full of drought,
Down here, so faroff losing out
Round here,

Overground, watch this space,
I'm open to falling from grace

Calm me down, bring it round
Too way high off your street
I can see like nothing else
In me you're better than I wannabe
Don't think 'cos I understand,
I care, don't think 'cos I'm talking we're friends,

Overground, watch this space,
I'm open to falling from grace

Talk me down, safe and sound
Too strung up to sleep
Wear me out, scream and shout
Swear my time's never cheap
I fake my life like I've lived
Too much, I take whatever you're given
Not enough,

Overground, watch this space,
I'm open to falling from grace
"




Lyrics are slightly off from your vid. Mea culpa.

}:( :( :) :p

It's today. Tomorrow's just another great day. Yep.



BTW. Stray synapse moment. Doesn't the voice kinda sound like "Chris Tucker as Ruby Rhod, a popular radio talk show host in the movie "Fifth Element"?" Bzzzt...




1310616207-Ruby-Rhod-Fifth-Element.jpg





Watch this space... ;) :)
 
So. When's the last time you had your "godmother" or grandmother stop in and play a tune with George Benson at a major music industry show?


http://www.carolkaye.com/clips/george_carrol_final.wmv


"Granny" was a great jazz guitarist before becoming a "stupendest" studio bass player. I don't think she's lost her touch. :) :) :)




Carol, I meant "granny" in the most sincerest of terms. ALWAYS.
 
One of the tunes that got me to play bass.

Not the best copy.

The "Funk Brothers" CD has the original studio cuts. They kicked. I always walked away with my tail behind my legs. And, I promised I would do better (kinda did) and would never forget friends (bass- James Jamerson and Bob Babbitt.) Yikes!


GeorgeDP - Fender P, a B15 and James crankin' up the track on his bass track on the console and slappin' down anyone who tried to touch the knobs. YUUMMM.


http://www.youtube.com/watch?v=X-_cutDGKpM


Path finders and makers. IMHO.


Don't ya love the mandolin played by a friend's uncle? Many members of the Detroit Symphony Orchestra played on these tracks. Some incredible times.

Being "the kid" and playing on C or D releases (nope, never made A or B status) is something I cherish. Yep.
 
Some special times back then in Motown. Some great new vids that go along with it now.


http://www.youtube.com/watch?v=QvMnnXykDNs


I was running through some tapes. Ran across this song. Wow. Then I ran through youtube and found that vid. I wish I was that smart to do the tune, in the first place, and then come up with this vid. Fun.


*** Fun pics with a great tune. Safe anywhere.
 
I know it's way overthought and overdone in a NYC way - But, it's really fun. Cool. (No. I didn't get a penny for this freebie for ...)


Nikki Jean got her first big break as a featured guest on Lupe Fiasco's 2007 album The Cool, but now she has stepped out on her own for her solo debut, Pennies in a Jar. On it, she collaborates with the likes of Burt Bacharach, Bob Dylan, Carly Simon and Carole King, among others.

Working with those veterans might seem like a stretch for Jean, who is still in her 20s. But she tells Weekend Edition Saturday host Scott Simon that she was first inspired to become a songwriter by an even older luminary: Irving Berlin, whose 100th birthday celebration she watched on TV as a kid.


http://www.youtube.com/user/nikkijeanproject
 
" He may be one of the world's most famous musicians, but when Paul McCartney walked through the modest blue front door at the Motown Historical Museum on West Grand Boulevard on Sunday, he was just another excited, awestruck Motown fan.

"He loved Studio A," reports the museum's chief curator, Lina Stephens. Stephens gave the former Beatle a private tour, along with his band and his fiancee Nancy Shevell, slipping them in at 3 p.m., just before McCartney's 4 p.m. soundcheck at Comerica Park.

Casual in a Hawaiian-style shirt, jeans and athletic shoes, McCartney, 69, was low-key and friendly.

"Every piano he came to, he'd say, 'I know I'm not supposed to touch this,' but he touched it anyway," Stephens says.

Asked if he'd like to be on his own or have a guided tour, he opted for the tour. He, Shevell and the band walked through every room of the museum. Stephens reports that he was very surprised to see a photo of himself in an exhibit upstairs, pictured with several of Berry Gordy's children.

But McCartney was most eager to see Studio A, the small space in the back of the Hitsville house where you can feel the ghosts of all those sweaty, classic sessions where so many Motown hits were recorded.

"He loved the film we show, he loved going upstairs (to see the restoration of Berry Gordy's early '60s apartment), but he said, 'OK, let's get to the studio, let's get to the studio,'" she says, laughing.

Once in Studio A, dubbed "the Snakepit" by Motown's studio band, the Funk Brothers, McCartney was amazed to see how small it was, considering the music that came out of there. "Talking to his band, he compared the control room in Studio A to Abbey Road (studio)'s," Stephens said.

When Stephens got to the part of the tour where she demonstrates how Motown producers used a middle hallway as an echo chamber, the musicians snapped their fingers and clapped to test it.

While enjoying Stephens' stories, McCartney was prompted to tell some of his own.

The Beatles were avid Motown fans and recorded several cover versions of the label's hits in the early- to mid-'60s, including Barrett Strong's "Money," Smokey Robinson and the Miracles' "You Really Got a Hold On Me," and the Marvelettes' "Please, Mr. Postman."

"He said, 'We were just kids when Berry was starting to do what he was doing,'" Stephens says. He described how he and the other Beatles would slow the 45 rpm records down while listening closely to each song, so they could hear all the words.

McCartney recalled how when they recorded "Money," a lot of people had never heard the song, and "in some cases that hipped them to Motown."

Like most fans, McCartney and company couldn't resist the gift shop on their way out, and the musicians left for the ballpark laden with Motown bags filled with T-shirts and other items.

There was talk, Stephens said, that McCartney and band might don their Motown T-shirts for the encore that night but alas, it didn't happen.

His guitarist Brian Ray tweeted (@brianrayguitar) on Monday, "So moved by the Hitsville USA museum/Motown Records. Thank God they left it exactly as it was."

"I know (McCartney) encouraged people to come here, because we were very busy on Monday, the day after the show," Stephens reports.

Not only did McCartney mention visiting Motown at his Sunday night concert, but he called the museum a "holy grail," and performed an impeccable version of the Marvin Gaye song "Hitchhike" in homage to Motown, and Detroit, capturing the stop-start shuffle beat perfectly. All it lacked were the Martha and the Vandellas backing vocals.

"Thank you, Detroit. Thank you, Motown," McCartney said.

If you'd like to walk where a Beatle walked — just don't touch the pianos! — the Motown Historical Museum's summer hours are 10 a.m. to 6 p.m. Monday through Saturday. The museum is at 2648 W. Grand Blvd., Detroit. Call (313) 875-2264."




Home sweet home. Even some knighted blokes like it. ;) :p

Ref: http://news.yahoo.com/blogs/detroit/mccartney-wings-motown-museum-detroit-tour-stop-145850027.html


Hope this comes through - major thunder storms, and another power outage, have me using Kathy's laptop plugged into car and a dial-up line. "Cell" service is incognito.


http://www.youtube.com/watch?v=7b5HXZRQFss










1311870432-Motown-_Summer_016.jpg





(Me and my sis and nephew visiting one of the pyramids.)
 
Paul McCartney takes Detroit by storm
Susan Whitall/ Detroit News Music Writer

Thunder and lightning raked across the sky over Comerica Park Sunday night, but it was no match for the fireworks Paul McCartney mustered onstage, both figuratively and literally.

His well-honed showmanship and impeccable music filled hearts and minds in the sold-out ballpark even before fireworks exploded over the stage during "Live and Let Die."

And he was a gracious visitor. McCartney gave heartfelt thanks to Detroit and Motown early on.

"We had a little time off today and we went to the Motown museum," McCartney told the crowd, six songs into the set. "Holy grail! When I was listening to records as a kid in Liverpool, learning the songs 'You Really Got a Hold on Me' (by the Miracles) and 'Money' (by Barrett Strong), wow! So we'd like to do a song we don't normally do, for Detroit and for Motown, one of my favorites by Mr. Marvin Gaye."

And with that, he led his tight band into "Hitchhike," one of Gaye's early hits. "Thank you Detroit, and thank you Motown!" the former Beatle said after a rendition rhythmic enough to make a Funk Brother smile.

Rain showers cooled off the audience earlier, and a boom of thunder hit just before 8 p.m., prompting the crowd to cheer — what a way to go, right? Watching an original Beatle from a $200 seat as lightning arcs across downtown Detroit.

But the rain let up by the time McCartney took the stage. He's racked up 69 years but looks as trim as when he first played Olympia Stadium in Detroit in 1964, a brash 22-year-old.

(Yes, at this point he'd have to sing "When I Was 64").

He strode onto the stage at 8:30 sharp on black Beatle boots, clutching his Hofner "Beatle" bass guitar.

"You say yes, I say no you say stop but I say go go go" were the first words we heard as he kicked off with the Beatles' "Hello, Goodbye."

Dressed in a black collarless jacket with red piping down the front over a white button-up shirt, McCartney shucked his jacket early on to reveal thin suspenders.

At one point, the former Beatle stopped the show, to "take a minute to drink in these Detroit vibrations," he said, nodding and smiling as the crowd cheered, wetting his finger and then waggling it in the universal sign for "hot"!

Let there be no mistake, McCartney can still sing. His voice has deepened over the years from the sparkling, high Irish tenor of the '60s, but there is a burnished suppleness to it that serves him well over what would be a long show for a 30-year-old. And in a pinch he can evince a fab winsomeness with a well-chosen high note.

There is no substitute, not even the Beatles' "Love" show, for singing the "Nah nah nah" chorus along with the real thing. For three hours, we were all fab again.

swhitall@detnews.com

From The Detroit News: http://detnews.com/article/20110725...cCartney-takes-Detroit-by-storm#ixzz1TSRolioh
 
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